During the first half, Jerry Lee's great balls of fire had already burned, The King's hound dogs had howled, Johnny had been good (but Chuck the Duck Walker was caught being bad). The fifties will always have the bragging rights of being the "golden era" of rock n' roll. For lack of a better term, I'm calling it a forensic approach to Muddy's music. Hopefully it comes together for an audio-linguistic joyride. Biographical info, backstory material, linguistic forays, historical comparisons, theoretical constructs, contextual insights, and even a few onomatopoeian overtures-it's all gonna be stewing in this pot of blues. At certain points during the journey things might not feel like a simple critique, or typical record review-I readily confess to including several digressions along the way to cut a much wider collective swath. Before we begin, please allow me a bit of a pre-entry disclaimer: This article might be a bit different than anything you may have read before on this subject, so just indulge for a while, if you please. For this occasion, I find no better reason to introduce to you a dissection of one of the greatest blues albums ever recorded, entitled Folk Singer. The 35 th anniversary of his passing has recently come and gone. Muddy Waters was born on Apand died on April 30, 1983.
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